With a background in photography and cinematography, I’ve learned to treat color as something you feel. Not just something you see. To me, grading is like painting. Layering elements to bring out what was done on set. Shaping tone with care. We start broad, refining the overall look before fine-tuning each scene and shot.
Remote workflow:
Remote grading shouldn’t feel distant. I’ve shaped the workflow to make it feel as close as sitting together. With room to pause, reflect, and get the look just right.
Using Colorfront we’re connected in real-time with an uncompressed, low-latency stream so collaboration is intuitive and the creative flow stays intact. When a live session isn’t possible, I work through Frame.io to maintain precision and quality at every step, adapting the process to fit what works best for you.
Whether in the studio or remotely, let’s craft something that truly resonates!
Show Lut Building:
I’m a strong believer in collaborating during pre-production to build a shooting LUT. This gives you and your team a tool that better represents the end result, bringing your story to life on set.
The best way to start with this workflow is through test footage in different scenarios. Then shaping a custom lut, ensuring it works flawlessly across various setups without limitations. Giving you full control, the goal is to create a look that flows seamlessly through production and into the grading suite, making your project feel cohesive and intentional.
